Idiosyncratic Interconnections: Loshon haRa and New Orleans R&B (Episode 1)

Posted by – September 24, 2015

Part of a new series, “Idiosyncratic Interconnections,” in which I unveil oddball connections betwixt two things that—most likely—only I, in my unusual mind, would notice… realizing a seemingly unrelated thing unexpectedly interconnects with another thing to explain, illuminate or give insight into the first thing. Each episode connects two things. Let me know if ya’ll like the series.

Idiosyncratic Interconnections

New Orleans R&B songs illustrating why Loshon HaRa, “tongue o’ evil,” and Rechilus (tale-bearing) is so bad

In September 2013 I last blogged on the subject of Loshon HaRa, complete with original cartoon-painting imagining the demonic forces that can escape your pie-hole via Loshon HaRa

Loshon HaRa is like libel, to willfully defame or dis someone, to talk smack outside of respectful norms. But unlike slander/libel, the truth is not your shield. Telling others “Suzie is a meth-whore” is Loshon HaRa even if she totally is, since you’ll never have the omniscient knowledge necessary to harshly judge another person, and relaying the dis to peers is assuming the role of judge and dropping the hammer / delivering a sentence of lost reputation. Not your place; keep it zipped. Unless telling it to someone (singular) could protect them.

poster from World War II

We all have our share of the yetzer HaRa (innate evil inclination, urge to destroy) and it can be difficult to hold your tongue. Certainly in the foibles and outright fails of your peers there is a ton of comedic value to leave holstered if one is circumspect in talking of others, plus the prospect that you will look cooler in contrast to the latest idiocy wrought by idiots is ever-tempting. Resist.

The biggest component to guarding your tongue is really mindset. A fidgety, itchy, dissatisfied mind is more likely to spread defamatory info than a chilled-out and content one. No one’s perfect, but following ANY rules of speech is next to impossible without a cultivated calmness of approach, deliberative and careful lips and larynx….

The verse “Do not go as a gossipmonger among your people” (Lev. 19:16) bans all forms of Loshon HaRa. However, the term “gossipmonger,” refers specifically to rechilus, “tale-bearing” or gossip that may sow the seeds of ill will or conflict between two or more others. Whereas directly derogatory info can cause others/the community to lose respect for the subject, rechilus can cause damage to relationships between the subject and his fellows, undermining the accord between another and a 3rd party.
“She thinks you’re dishonest, Chaim” being a classic rechilus example. Even if true, relaying the slight harms both the slighted (Chaim) and the slighter (the 3rd party who originated the negativity). It is wrong to help the initial slighter dis Chaim; they can wrong Chaim just fine without your help or complicity. Additionally, once the offense spreads, it can get a life of its own, pinball all over the community, go viral, damaging the social fabric. Like a computer virus or bug—0 where 1 ought to be—messin’ up the Kabbalistic code that animates the spiritual plane and sustains the constant earthy process of Creation™; put another way, “a disturbance in The Force.”     What began as something small can snowball, mutate… 48 hours and several “telephone game” manglings of 3rd-and-4th-party versions later, the FDNY is trying to talk Chaim down from the George Washington Bridge….

Though Sefer Shmiras haLoshon “way of speech/laws of the tongue book” is a Jewish thing, specifically Orthodox Judaism/yeshivah thang, plain from the sources I found, from Daily Sefer Chofetz Chaim and Jewish Heritage Foundation, both which require some knowledge of yeshivish terms to understand, there is nonetheless broader applicability….

People need more structure and discipline when it comes to speech, to minimize damage to the social fabric, so how can I make laws of the tongue more relatable…?
Well, most can relate to music. To wit…

Interconnection: Illustrative New Orleans R&B songs

New Orleans R&B is exemplified by Fats Domino, Professor Longhair, Snooks Eaglin, Allen Toussaint… I think of it as a close relative of the piano blues and an important forefather of rock, but Fats Domino songs like Be My Guest with prominent walking bass-line on piano and skank on the uptick inadvertently created the ska/reggae sound, as well….

“Big Mouth,” written by Fats Domino & Dave Bartholomew…

News is out all over town
Big mouth
You standing over there
Like you don’t know what it’s all about

I guess you satisfied,
that you made me cry
big mouth…

Allen Toussaint is best known for songs he wrote for other performers, and Gossip Gossip was sung by Diamond Joe.  Now considered a rare soul track, the original Diamond Joe 45 is a mega rarity…

Gossip, gossip
can’t stop us
from gettin’ along
they don’t know we gotta
solid thing goin’ onnnnn

they get a charge
draggin’ other folks down…

Advance to next II: episode 2 | or II: episode 3